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Inspire Learning
5.0
(6)
Approved
Looking forward to meeting fellow calligraphy enthusiasts and sharing the joy of calligraphy. Since childhood, due to family poverty, I learned Chinese calligraphy through self-study, and I was fortunate to receive encouragement from my strict family, teachers, elders, and classmates, winning awards in public competitions. Later, under the guidance of Mr. Chan Man-kit, the lifelong honorary president of the Hong Kong Calligraphy Society, I opened the door to clerical script and especially appreciate his works on the Han stele, the Shimen Song, and the Songgao Ling Temple stele, which I foolishly believe are the pinnacle of calligraphy in Hong Kong. In recent years, I also completed a diploma course in calligraphy creation at CUHK and gained some insights. I suggest that learners start with clerical script to build brush techniques and strengthen their brush power, ensuring that every stroke is executed at the center of the brush, penetrating the back of the paper. Then, progress to regular script (Ouyang Xun, Yan Zhenqing, Chu Suiliang, Zhi Yong, Liu Gongquan, Yu Shinan, and Zhong Yao), seal script, northern stele (also known as Wei stele or Wei regular script), and cursive script. I also teach hard pen calligraphy, advocating for the practice of copying from calligraphy models.
Looking forward to meeting fellow calligraphy enthusiasts and sharing the joy of calligraphy. Since childhood, due to family poverty, I learned Chinese calligraphy through self-study, and I was fortunate to receive encouragement from my strict family, teachers, elders, and classmates, winning awards in public competitions. Later, under the guidance of Mr. Chan Man-kit, the lifelong honorary president of the Hong Kong Calligraphy Society, I opened the door to clerical script and especially appreciate his works on the Han stele, the Shimen Song, and the Songgao Ling Temple stele, which I foolishly believe are the pinnacle of calligraphy in Hong Kong. In recent years, I also completed a diploma course in calligraphy creation at CUHK and gained some insights. I suggest that learners start with clerical script to build brush techniques and strengthen their brush power, ensuring that every stroke is executed at the center of the brush, penetrating the back of the paper. Then, progress to regular script (Ouyang Xun, Yan Zhenqing, Chu Suiliang, Zhi Yong, Liu Gongquan, Yu Shinan, and Zhong Yao), seal script, northern stele (also known as Wei stele or Wei regular script), and cursive script. I also teach hard pen calligraphy, advocating for the practice of copying from calligraphy models.
馬潤憲老師
Some people study calligraphy for more than a decade but still can't produce a decent piece. However, there are others who, in just three years, have gradually developed their calligraphy skills, achieving good results in exhibitions and competitions. The reasons for success or failure in learning calligraphy boil down to three factors: first, the skill level of the teacher; second, whether the proper methods of learning have been chosen; and third, whether the teacher can implement effective teaching methods. Teacher Ma, who has practiced calligraphy for 50 years and has been teaching for 20 years, began with the calligraphy of the Jin dynasty and selected masterpieces from various dynasties for students to copy and study in-depth. In addition to understanding character formation, they also learn complete composition. In class, larger works are copied to prepare for future exhibitions. After class, students are given homework to practice at home, and in the next session, collective corrections and peer reviews are conducted. The teaching practices over the past twenty years have demonstrated that students effectively master calligraphy, achieving remarkable results. Teacher Ma Runxian (alias Laoji) currently holds the following positions: 1. Member of the China Calligraphers Association; 2. Vice President of the Hong Kong Branch of the China Calligraphers Association; 3. Vice President of the Jiazi Calligraphy Society; and 4. Calligraphy lecturer at the University of Hong Kong School of Professional and Continuing Education (HKU SPACE)
Some people study calligraphy for more than a decade but still can't produce a decent piece. However, there are others who, in just three years, have gradually developed their calligraphy skills, achieving good results in exhibitions and competitions. The reasons for success or failure in learning calligraphy boil down to three factors: first, the skill level of the teacher; second, whether the proper methods of learning have been chosen; and third, whether the teacher can implement effective teaching methods. Teacher Ma, who has practiced calligraphy for 50 years and has been teaching for 20 years, began with the calligraphy of the Jin dynasty and selected masterpieces from various dynasties for students to copy and study in-depth. In addition to understanding character formation, they also learn complete composition. In class, larger works are copied to prepare for future exhibitions. After class, students are given homework to practice at home, and in the next session, collective corrections and peer reviews are conducted. The teaching practices over the past twenty years have demonstrated that students effectively master calligraphy, achieving remarkable results. Teacher Ma Runxian (alias Laoji) currently holds the following positions: 1. Member of the China Calligraphers Association; 2. Vice President of the Hong Kong Branch of the China Calligraphers Association; 3. Vice President of the Jiazi Calligraphy Society; and 4. Calligraphy lecturer at the University of Hong Kong School of Professional and Continuing Education (HKU SPACE)
孔繁杰
4.7
(13)
Approved
Teacher Kong @ Limei Art Academy - Chinese Calligraphy Class ✨Authentic teaching: Graduated in painting ✨Instructor of painting classes at several secondary schools and art studios in Hong Kong ✨Flexible schedule: Evening classes available Course and Tuition Fees🏷 $1050/4 classes/90 minutes each (suitable for ages 6 and above) *Single trial class fee: 300 HKD/90 minutes Class Address: ⭕️5D, Ying King Building, 192-198 Hennessy Road, Wan Chai (MTR A4 exit) Limei Art Academy ⭕️Prince Edward, Lai Chi Kok Road (tuition fees are higher, please inquire further) ⭐️Introduction to Limei Art Academy⭐️ Hong Kong Examination Authority Designated art studio for National Art Examination Registration Number: S165 Art Studio Opening Hours: Tuesday, Thursday, Friday, Saturday, Sunday 10:30-18:30 Tuesday and Thursday special evening classes
Teacher Kong @ Limei Art Academy - Chinese Calligraphy Class ✨Authentic teaching: Graduated in painting ✨Instructor of painting classes at several secondary schools and art studios in Hong Kong ✨Flexible schedule: Evening classes available Course and Tuition Fees🏷 $1050/4 classes/90 minutes each (suitable for ages 6 and above) *Single trial class fee: 300 HKD/90 minutes Class Address: ⭕️5D, Ying King Building, 192-198 Hennessy Road, Wan Chai (MTR A4 exit) Limei Art Academy ⭕️Prince Edward, Lai Chi Kok Road (tuition fees are higher, please inquire further) ⭐️Introduction to Limei Art Academy⭐️ Hong Kong Examination Authority Designated art studio for National Art Examination Registration Number: S165 Art Studio Opening Hours: Tuesday, Thursday, Friday, Saturday, Sunday 10:30-18:30 Tuesday and Thursday special evening classes
Sophia
I have been engaged in children's education in painting for 18 years, skilled in teaching watercolor, Chinese painting, sketching, calligraphy, and oil painting. According to the different ages, interests, and painting foundations of students, I teach different types of skills, while also cultivating students' ability to appreciate art. I have been teaching art for 18 years. I can teach watercolor, sketch, Chinese ink painting, Chinese calligraphy, acrylic, and oil painting. I teach different skills based on students’ different ages, interests & levels, at the same time the lessons will cultivate their art appreciation ability.
I have been engaged in children's education in painting for 18 years, skilled in teaching watercolor, Chinese painting, sketching, calligraphy, and oil painting. According to the different ages, interests, and painting foundations of students, I teach different types of skills, while also cultivating students' ability to appreciate art. I have been teaching art for 18 years. I can teach watercolor, sketch, Chinese ink painting, Chinese calligraphy, acrylic, and oil painting. I teach different skills based on students’ different ages, interests & levels, at the same time the lessons will cultivate their art appreciation ability.
蘇小龍老師
Su Xiaolong, male, born in Hong Kong. In his youth, he was fortunate to receive personal guidance from the famous Hong Kong painter and calligrapher Zeng Rongguang. Since then, he has developed a strong interest in calligraphy and has diligently copied ancient tablet inscriptions. He later received guidance from the renowned seal carver and calligrapher Wu Gaoshih, gaining a further understanding of the art of writing. He also attempted to create works using large cursive script. In the years 2007 and 2008, he won third place in the National Cursive Script Competition. In recent years, he enjoys composing his own poetry and couplets, expressing his emotions, and bringing joy to himself and others! This has made his calligraphy more lively and interesting. Mr. Su is actively engaged in calligraphy education and has served as a calligraphy teacher in several primary and secondary schools, kindergartens, and community centers in Hong Kong. He has created innovative teaching methods and tools such as "Xiaolong's Five-Point Holding Method", "Children's Water Calligraphy", and "Dragon Claw Brush"; along with his self-created content like the Three-Character Classic, nursery rhymes, and lively clapper songs, which are very well received by students, parents, and schools. In 2014, he was awarded the "Advanced Individual Title" by the China Hard Pen Calligraphy Association. In 2015, he was invited by the China Cursive Script Research Institute to participate in the "Commemoration of the 70th Anniversary of the Victory of the War of Resistance Against Japan - Remembering History, Cherishing Peace" calligraphy and painting exhibition held in Shanghai, and he received the "Peace Award". In the same year, he was interviewed by Hong Kong Commercial Radio on their "Personal Calligraphy Interview" and the Asia Television comprehensive program "We Are One Class" (a total of 11 episodes). Current positions: Executive Council Member of the Shanghai Branch of the China Cursive Script Association Member of the China Hard Pen Calligraphy Association Member of the Guangdong Province Calligraphy Association Vice President of the International Chaoshan Calligraphy and Painting Association Shenzhen Branch Vice President of the Greater Chaoshan Calligraphy and Painting Institute Director of the Hong Kong Happy Spring Art Center Executive Committee Member of the Hong Kong Calligraphy Professionals Association Member of the Hong Kong Calligraphers Association.
Su Xiaolong, male, born in Hong Kong. In his youth, he was fortunate to receive personal guidance from the famous Hong Kong painter and calligrapher Zeng Rongguang. Since then, he has developed a strong interest in calligraphy and has diligently copied ancient tablet inscriptions. He later received guidance from the renowned seal carver and calligrapher Wu Gaoshih, gaining a further understanding of the art of writing. He also attempted to create works using large cursive script. In the years 2007 and 2008, he won third place in the National Cursive Script Competition. In recent years, he enjoys composing his own poetry and couplets, expressing his emotions, and bringing joy to himself and others! This has made his calligraphy more lively and interesting. Mr. Su is actively engaged in calligraphy education and has served as a calligraphy teacher in several primary and secondary schools, kindergartens, and community centers in Hong Kong. He has created innovative teaching methods and tools such as "Xiaolong's Five-Point Holding Method", "Children's Water Calligraphy", and "Dragon Claw Brush"; along with his self-created content like the Three-Character Classic, nursery rhymes, and lively clapper songs, which are very well received by students, parents, and schools. In 2014, he was awarded the "Advanced Individual Title" by the China Hard Pen Calligraphy Association. In 2015, he was invited by the China Cursive Script Research Institute to participate in the "Commemoration of the 70th Anniversary of the Victory of the War of Resistance Against Japan - Remembering History, Cherishing Peace" calligraphy and painting exhibition held in Shanghai, and he received the "Peace Award". In the same year, he was interviewed by Hong Kong Commercial Radio on their "Personal Calligraphy Interview" and the Asia Television comprehensive program "We Are One Class" (a total of 11 episodes). Current positions: Executive Council Member of the Shanghai Branch of the China Cursive Script Association Member of the China Hard Pen Calligraphy Association Member of the Guangdong Province Calligraphy Association Vice President of the International Chaoshan Calligraphy and Painting Association Shenzhen Branch Vice President of the Greater Chaoshan Calligraphy and Painting Institute Director of the Hong Kong Happy Spring Art Center Executive Committee Member of the Hong Kong Calligraphy Professionals Association Member of the Hong Kong Calligraphers Association.
Customer Reviews
5.0
Based on 38 reviews
yan***@***.com
5.0
Apr 30 2025
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Very good teacher. The children's English scores have been greatly improved. The teacher has methods to guide and knows how to teach students in accordance with their aptitude. The children like Teacher Liao very much.

Tempest Tairitsu
5.0
Sep 02 2024

The teacher is professional and gives very insightful opinions, showing clear improvement

鄧振昇
5.0
Jul 20 2024
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Okay, Master Yan.

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Calligraphy Classes Average Cost

Minimum
$140
Average
$200
Maximum
$250
Calligraphy Classes cost table
Minimum
$140
Average
$200
Maximum
$250
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